These guidelines will help you to have a successful, rewarding experience learning an instrument. These are practical tips that we have discovered from years of teaching and our experiences with teaching hundreds of students each year.
1. How Young is Too Young – Starting At The Right Age
Adults can start any instrument at any time. Their success is based on how willing an adult is to commit to practicing. We teach many beginner students in their 60’s and 70’s.
For children, starting at the right age is a key element to the success of their lessons. Some people will tell you “the sooner the better,” but this attitude can actually backfire and be a negative. If a child is put into lessons too soon they may feel overwhelmed and frustrated and want to stop lessons. The last thing you want to do is turn a child off music just because they had one unpleasant experience, which could have been prevented. Sometimes if the child waits a year to start lessons their progress can be much faster. Children who are older than the suggested earliest starting age usually do very well. The following are guidelines we have found to be successful in determining how young a child can start taking music lessons.
3 – 4 Years Old
If a preschooler has a keen desire and wants to start music, a group preschool music class will give them a good foundation in music basics which will be helpful in later private lessons. At this age, private lessons generally do not work as the child has not yet experienced the formal learning environment of kindergarten or school and learns more effectively through the game oriented preschool environment.
At our school, 5 years old is the youngest age that we start children in private piano lessons. At this age they have begun to develop longer attention spans and can retain material with ease.
Guitar – Acoustic, Electric and Bass
8 years old is the earliest we recommend for guitar lessons. Guitar playing requires a fair amount of pressure on the fingertips from pressing on the strings. Children under 8 generally have small hands and may find playing uncomfortable. Bass guitar students generally are 10 years old and older.
10 years old is recommended as the youngest age for private vocal lessons. Due to the physical nature of voice lessons (proper breathing techniques, development of the vocal chords and lung capacity), the younger body is generally not yet ready for the rigors of vocal technique. For children younger than 10, we have a children’s choir (ages 6-9) and a preschool singing program (ages 3-5) that teaches them how to use their voices properly, in a fun, relaxed environment.
The average age of our youngest drum student is 8. This varies greatly depending on the size of the child. They have to be able to reach both the pedals and the cymbals.
Flute, Clarinet & Saxophone
Due to lung capacity (and in the case of the saxophone the size of the instrument), we recommend that most woodwind beginners are 9 and older.
We accept violin students from the age of 5. Some teachers will start children as young as 3, but experience has shown us the most productive learning occurs when the beginner is 5 or older.
The trumpet requires physical exertion and lung power. 9 years and older is a good time to start the trumpet.
2. Insist on Private Lessons When Learning A Specific Instrument
Group classes work well for preschool music programs, and theory lessons. However, when actually learning how to play an instrument, private lessons are far superior since in private lessons it is hard to miss anything, and each student can learn at their own pace. This means the teacher does not have to teach a class at a middle of the road level, but has the time and focus to work on the individual student’s strengths and weaknesses. For that lesson period, the student is the primary focus of the teacher. The teachers also enjoy this as they do not have to divide their attention between 5 – 10 students at a time and can help the student be the best they can be.
3. Take Lessons in a Professional Teaching Environment
Learning music is not just a matter of having a qualified teacher, but also having an environment that is focused on music education. In a professional school environment, a student cannot be distracted by TV, pets, ringing phones, siblings or anything else. With only 1/2 to one hour of lesson time per week, a professional school environment can produce better results since the only focus at that time is learning music. Students in a school environment are also motivated by hearing peers who are at different levels and by being exposed to a variety of musical instruments. In a music school, the lessons are not just a hobby or sideline for the teacher but a responsibility, which is taken very seriously.
4. Making Practicing Easier
As with anything, improving in music takes practice. One of the main concerns heard from students and families is that practicing can become repetitive and unexciting. Fighting between parents and students to practice can also become commonplace if care is not taken to structure the activity. Here are some ways to make practicing more successful.
Set the same time every day to practice so it becomes part of a routine habit. Generally the earlier in the day the practicing can occur, the less reminding is required by parents to get the student to practice. Also, breaking up the practice period into two 15-minute increments (morning and evening) can be very successful, especially for young students.
Try this method when setting practice schedules for beginners: For some students 20-30 minutes seems like an eternity. Instead of setting a time frame, use repetition. For example, “practice this piece 4 times every day, and this scale 5 times a day.” The student then does not pay attention to the amount of time they are practicing, but knows that if they are on repetition number 3 they are almost finished.
This works very well for both children and adult students. For example, some adults reward themselves with a cappuccino after a successful week of practicing. Parents can encourage children by granting them occasional rewards for successful practicing. Some students earn stickers and stars. Also, yearly achievement programs where students earn ribbons, certificates, medals and trophies can be a great incentive. Praise tends to be the most coveted award – there is just no substitute for a pat on the back for a job well done!
When seeking an instructor, or a music school situation, ask about their practice-building methods. Learning an instrument takes the dedication of more than just the student.
5. Most Importantly- Have fun!
Music should be something that you enjoy for a lifetime. So, try not to put unrealistic expectations on yourself or your children to learn too quickly. There are always ups and downs to learning a new skill. The most important thing is to be willing to persevere through the plateaus; and, enjoy the musical experience!